{"id":4098,"date":"2015-10-10T00:13:55","date_gmt":"2015-10-10T00:13:55","guid":{"rendered":"https:\/\/adriengontier.com\/?page_id=4098"},"modified":"2020-05-28T17:24:25","modified_gmt":"2020-05-28T16:24:25","slug":"doc","status":"publish","type":"page","link":"https:\/\/adriengontier.com\/en\/doc\/","title":{"rendered":"DOC"},"content":{"rendered":"
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DOC CAMERA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\tANAMORPHIC\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tCOMPRESSION ProRes\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tDIT – Debit et compression\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tGUIDE ULTIME POUR CINE EI SUR LE SONY PXW-FS7\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tLENS COVERAGE AND CAMERA COMPARISON TOOL\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tSTREAM\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tTirage optiques\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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DOC CAMERA ARRI<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\tALEXA MINI\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tARRI ALEXA MINI LF – HDE ENCODING\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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DOC CAMERA RED<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\tRED RAW – IPP2 dans DaVinci Resolve\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tTaille de capteur – RED Sensor\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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DOC LUMIERE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\tDIFFUSION FILTER AND STOP\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t
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\n\t\tLUMEN\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tirage optiques – \u00a0\u00a0http:\/\/adriengontier.com\/tirage-optiques\/<\/a><\/p>

Anamorphic – http:\/\/adriengontier.com\/anamorphic\/<\/a><\/p>

Taille de capteur –\u00a0http:\/\/adriengontier.com\/red-sensor\/<\/a><\/p>

Compression ProRes – \u00a0http:\/\/adriengontier.com\/prores\/<\/a><\/p>

Compression RED \u00a0–\u00a0http:\/\/adriengontier.com\/redraw\/<\/a><\/p>

IPP2\u00a0http:\/\/adriengontier.com\/ipp2\/<\/a><\/p>

Compression cineEI FS7 –\u00a0http:\/\/adriengontier.com\/guide-ultime-cine-ei-sony-pxw-fs7\/<\/a><\/p>

Lumiere<\/p>

LUMEN\u00a0http:\/\/adriengontier.com\/lumen\/<\/a><\/p>

Diffusion and stop\u00a0http:\/\/adriengontier.com\/diffusion\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

DOC CAMERA DOC CAMERA ARRI DOC CAMERA RED DOC LUMIERE Tirage optiques – \u00a0\u00a0http:\/\/adriengontier.com\/tirage-optiques\/ Anamorphic – http:\/\/adriengontier.com\/anamorphic\/ Taille de capteur –\u00a0http:\/\/adriengontier.com\/red-sensor\/ Compression ProRes – \u00a0http:\/\/adriengontier.com\/prores\/ Compression RED \u00a0–\u00a0http:\/\/adriengontier.com\/redraw\/ IPP2\u00a0http:\/\/adriengontier.com\/ipp2\/ Compression cineEI FS7 –\u00a0http:\/\/adriengontier.com\/guide-ultime-cine-ei-sony-pxw-fs7\/ Lumiere LUMEN\u00a0http:\/\/adriengontier.com\/lumen\/ Diffusion and stop\u00a0http:\/\/adriengontier.com\/diffusion\/<\/p>","protected":false},"author":3,"featured_media":10967,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4098","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nDOC | Adrien Gontier, Directeur de la photographie, 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